Meaning

Meaning is not a conclusion, but a recomposition. It can be encountered as an outcome, when the path seems to have crossed all its phases, or as a starting point, when what appears already complete invites questioning what generated it. In both directions, meaning does not close, but reopens. Here, time becomes central. No longer as a linear succession, but as a structure: something that holds events together, measures them, makes them legible. Meaning does not lie in individual passages, but in the relationship between them. At this stage, the mesh reveals itself as a weave. No longer only a filter, nor a system of selection or transformation, but an interlacing that connects every element of the journey. What previously appeared separate recomposes into a single structure, in which each part is linked to the others. The figures that inhabit this space — the Fates — do not act directly, but define the form of time. They spin, measure, interrupt. They do not determine events, but establish their structure, rhythm, and duration. In this perspective, the body is no longer only experience, knowledge, or transformation, but part of a broader design. What happens acquires meaning insofar as it can be placed within a weave. The path can be traversed in both directions. What appears as an outcome can be read as a starting point, and what seems initial can reveal itself as a result. In this system also lies the dialogue with GSK (GlaxoSmithKline), whose activity develops through a global research network in the fields of prevention, vaccines, immunology, oncology, and advanced therapies. Contemporary scientific knowledge is not linear, but distributed: every result is the product of a multiplicity of interconnected processes.

Atropos

Atropos is the one who cuts the thread. She does not decide arbitrarily, but intervenes when a process reaches its limit. She represents the interruption that defines form. Without an end, there is no structure, no legibility. The cut is not negation, but determination. This figure introduces the idea that every system is defined not only by what continues, but by what stops. Meaning emerges also through closure. The metal mesh here appears more decisive, almost sharp. The image seems held at the edge of disappearance, as if suspended at the moment in which it is about to resolve.

ATROPOS – ALGOR. 6221919 (EÍDŌLON), 2025
hand-cut black metal mesh on a periwinkle background
95 × 95 cm.

Clotho

Clotho is the one who spins the thread. She represents the beginning, not as an absolute origin, but as the activation of a process. She embodies the moment in which something starts to take form, when potential becomes trajectory. The thread is not yet defined, but it exists — it has begun. This figure introduces the idea of generation as a continuous act: nothing appears suddenly, everything emerges from a tension that sets it in motion. The metal mesh reflects this condition. The image seems to arise from within the structure, as if it were still in the process of being formed, not yet fully stabilized.

CLOTHO – ALGOR. 3541761 (EÍDŌLON), 2024
hand-cut black metal mesh on a mustard and blush background
95 × 95 cm.

Lachesis

Lachesis is the one who measures the thread. She determines its extension, its rhythm, its proportion. She represents the structuring of time: not its beginning, not its end, but its articulation. What exists is given duration, scale, relation. This figure introduces the idea that every process is not only generated, but calibrated. Meaning does not arise from isolated events, but from their measure. The metal mesh constructs an image that appears balanced, held within a precise structure. The face emerges with clarity, as if defined by an internal proportion.

LACHESIS – ALGOR. 3041836 (EÍDŌLON), 2024
hand-cut black metal mesh on a metallic grey background
95 × 95 cm.